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The front soundstage does almost all the lifting in the surround mix. The audio restoration is exemplary, bringing out more depth and pristine acoustics. The studio drops the original mono and stereo theatrical mixes, a curious choice considering the soundtrack by Cat Stevens highlights several key scenes. The only English audio choice included by Paramount is a newly remixed 5.1 Dolby TrueHD soundtrack. Frankly, this type of cinematography doesn’t benefit a great deal from an expanded HDR palette. It should be mentioned that while Paramount skipped releasing Harold and Maude on 4K UHD, it is available in 4K on streaming services with Dolby Vision. The high-bitrate AVC encode handles the tougher shadows and grain fields with ease. The new 4K film transfer offers fantastic grain reproduction and unfiltered detail, even if the overall video quality is soft and more film-like than overwhelmingly sharp. Harold and Maude is a gritty film with a thick grain structure, somewhat muddy shadow delineation, and occasionally dingy colors. These are solid elements receiving fine care and proper technical expertise. To my eye, the composition and slight frame adjustments are a welcome improvement over older transfers. Then careful color correction and minor cleanup were undertaken to pay homage to director of photography John Alonzo’s stark work on the film. T he original Technicolor negative from 1971 was scanned in 4K resolution. What we get here is a technically astute remastering of an older film which marginally improves on the 2012 Criterion BD’s picture quality. Harold and Maude has been newly restored by Paramount with excellent results, though owners of the previous Criterion BD shouldn’t necessarily run out and buy this new edition. They are two lonely outsiders living in a strange world who connect over shared interests. The characters and narrative are not driven by passion like most Hollywood screen romances. Harold and Maude is an odd couple romance if there ever was one. Anderson borrowed heavily from the cult film for setting up his characters and its tone. Wes Anderson’s fans should immediately recognize shades of Harold and Maude in his Rushmore, a quirky gem in its own right. He crafted several songs explicitly for the film and they are an indelible part of the Harold and Maude experience. The most enjoyable part of Harold and Maude may be its lilting soundtrack provided by Cat Stevens, then at the height of his musical powers in the 1970s. She believes in living life to the fullest each day. The elderly Maude is simply looking for a little fun, knowing her remaining time is limited.
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Maude fills that void with her open personality, giving Harold the attention he has so desperately craved for years. There’s a hint Harold is looking for a mother figure in his life, as his own mother is an out-of-touch socialite with no practical understanding of her son’s emotional needs.
#Cat stevens harold and maude series
Harold is set up on a series of increasingly disastrous dates with girls his own age. Fed up with Harold’s behavior, his mother decides the best thing for her unhappy son is marriage. Learning from the eccentric Maude, the friendship blossoms into something stronger than friendship. Harold and Maude meet by accident attending a funeral and the two soon form a friendship despite their vast personality differences. Harold’s favorite pastime is quietly visiting the funerals of strangers. He’s constantly staging gruesome, fake suicides for his clueless mother and uses a hearse for driving around town. Harold (Bud Cort) is a moribund 19-year-old obsessed with all things death. She thinks nothing of breaking the law and tackles each day with a devil-may-care attitude. The 79-year-old woman has more life in her than most teenagers. Oscar winner Ruth Gordon is the feisty, carefree Maude. Harold and Maude is an odd couple romance if there ever was one